Modernism

These works move between quiet landscape and sharp geometric abstraction, with figures reduced to clean lines and flat planes of color. Buildings, barns, flowers, and portraits all get pared down to their essential shapes, as in "Berlin Abstraction" by Marsden Hartley, favoring structure over detail. Even the later pop-inflected pieces keep that same flattened, graphic clarity.

Trees and Barns (Bermuda), 1917 by Charles Demuth
144 works
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Abstract painting with a radiating colored diagram centered on a horizontal composition of dark swirling forms above and below a white band.
Hilma af Klint
Group IX/SUW, No. 10, The Swan
1915 · oil

From $71.00

Abstract geometric composition with colored squares in red, blue, yellow, and pink arranged on a beige background with decorative circular and floral motifs.
Hilma af Klint
Group IV, The Ten Largest, No. 10, Old Age
1907 · Tempera on paper, mounted on canvas

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A large golden circle with black border centered on a multi-colored striped background in yellow, blue, red, and brown tones.
Hilma af Klint
Group X, No. 3, Altarpiece
1915 · Oil and metal leaf on canvas

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Abstract geometric composition featuring interconnected spheres and botanical forms in green, gray, white, and pink with radiating lines.
Hilma af Klint
Tree of Knowledge, No. 5
1915 · Watercolor, gouache, graphite, and metallic paint on paper

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Abstract composition featuring concentric circles and curved lines in cream, yellow, and blue tones on a mauve background.
Group IV, The Ten Largest, No. 8, Adulthood
1907 · Tempera on paper, mounted on canvas

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Abstract composition featuring concentric circles and spirals in yellow, blue, pink, and orange on a warm terracotta background.
Hilma af Klint
Group IV, The Ten Largest, No. 3 Youth
1907 · Tempera on paper, mounted on canvas

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Abstract composition featuring a central circular mandala with radiating petals in pink, red, and gold, flanked by organic orange forms and a white mustache-like shape on a dark background.
Hilma af Klint
Group VI, No. 13, Evolution
1908 · oil

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Bare trees reflected in still water in a wooded garden landscape, rendered in sepia tones.
Eugène Atget
Saint-Cloud (gardens of the chateau of Philippe Duc d'Orleans)
1922 · albumen print

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Group IV, The Ten Largest, No. 6, Adulthood
Hilma af Klint
Group IV, The Ten Largest, No. 6, Adulthood
1907 · Tempera on paper, mounted on canvas

From $71.00

A sepia-toned photograph depicting a formal garden pathway lined with tall trees, featuring a stone balustrade and statue in the foreground.
Eugène Atget
Saint-Cloud
1924 · albumen print

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A large tree trunk stands in the foreground of a Parisian square with historic buildings and a church tower visible in the background.
Eugène Atget
Church of Saint-Médard, Daubenton Street, 5th arrondissement, Paris
1924 · matte albumen print

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Abstract geometric composition featuring a golden circle with radiating green and blue lines above a triangular form with colored gradations on black background.
Hilma af Klint
Altarpiece, Group X, Number 1
1915 · Oil and metal leaf on canvas

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A circular diagram with radiating lines suspended above two geometric shapes, divided into quadrants of cream, black, brown, and red.
Hilma af Klint
Series VII, No. 5
1920 · Oil on canvas

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Abstract floral composition with white, pink, and orange flowers arranged symmetrically on a blue background with geometric elements.
Hilma af Klint
Group IV, The Ten Largest, No. 1, Childhood
1907 · Tempera on paper, mounted on canvas

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Abstract composition featuring a large pink flower at top, organic circular and linear forms in white, yellow, and blue on a purple background.
Hilma af Klint
Group IV, The Ten Largest, No. 5, Adulthood
1907 · Tempera on paper, mounted on canvas

From $71.00

Abstract composition featuring overlapping circles and organic floral forms in pink, orange, blue, and cream on a muted blue background.
Hilma af Klint
Group IV, The Ten Largest, No. 2, Childhood
1907 · Tempera on paper, mounted on canvas

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Abstract geometric artwork featuring a central figure with radiating petal-like shapes in red, white, gold, and blue on a dark background with concentric oval borders.
Hilma af Klint
The Evolution, The WUS/Seven-Pointed Star Series, Group VI, No. 15
1908 · Oil on canvas

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Abstract composition with radiating circular forms at top and organic shapes below in pink, cream, and earth tones on textured background.
Hilma af Klint
Group IV, The Ten Largest, No. 9, Adulthood
1907 · Tempera on paper, mounted on canvas

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Sepia-toned photograph of a Parisian street corner featuring a weathered corner building with "Maison Viredinet" signage and curved steps in the foreground.
Eugène Atget
Rue de la Montagne-Sainte-Geneviève
1923 · albumen print

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Abstract geometric composition with concentric circles and crosses in gold, red, and black on an orange background, created in 1908.
Hilma af Klint
Group VI, Evolution, No. 16
1908 · Oil on canvas

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Abstract composition with geometric shapes and organic forms in pink, blue, yellow, and white on an orange background.
Hilma af Klint
Group IV, The Ten Largest, No. 4, Youth
1907 · Tempera on paper, mounted on canvas

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Abstract composition featuring two large yellow spherical forms labeled I, II, and III, surrounded by decorative botanical and circular motifs in green, red, and muted tones on a lavender background.
Hilma af Klint
Group IV, The Ten Largest, No. 7, Adulthood
1907 · Tempera on paper, mounted on canvas

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Black and white photograph of bare trees framing stone bridge arches over water in Paris.
Eugène Atget
Pont Marie
1926 · albumen print

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A circular color wheel with concentric rings in multiple hues sits above rectangular color blocks on a cream background.
Hilma af Klint
Series VII, No. 7d
1920 · Oil and graphite on canvas

From $71.00