Metropolitan Port
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See it in a room
Story
A tangle of geometric forms dominates the scene, with cables and architectural fragments rendered in blues, grays, and whites, set above a stylized view of a harbor. The composition reads as an abstract vision of industrial structures suspended over water and docks, flattened into interlocking planes rather than realistic depth. Joseph Stella painted Metropolitan Port in 1935 using oil, and it is held today at the Smithsonian American Art Museum, having come to the museum through a transfer from the General Services Administration. Stella, who lived from 1877 to 1946, worked within Futurism and Precisionism, movements concerned with industrial and urban subjects. One detail worth lingering on is the way the cables cut across the harbor view, binding the mechanical geometry to the open space of the water below.
Where it works
Cool-toned artwork suited to dens and media rooms, and to hotel guest rooms, in a vertical format.
Smithsonian American Art Museum, Transfer from the General Services Administration, 1972.82
