Abstract Expressionism

These works pull natural forms apart into shape, line, and gesture, moving between fields of grain, moons, and suns and compositions that drop the subject altogether. Color stays close to the earth even as forms loosen, as in "Golden Storm" by Arthur G. Dove, where land and sky blur into a single charged surface.

Japanese Landscape by Felrath Hines
228 works
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Abstract composition featuring silhouetted dark forms against a warm golden-yellow background with blue and green tonal areas.
Augustus Vincent Tack
Dawn
1934 · Oil on canvas mounted on hardboard

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Abstract painting featuring horizontal bands of orange, red, and mauve colors on a warm-toned background.
Mark Rothko
1980.12.21
1967 · Oil on unprimed canvas

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Abstract painting featuring horizontal bands of orange, red, and mauve rectangular forms on a warm background.
Mark Rothko
Untitled
1954 · Oil on unprimed canvas

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Abstract painting with three horizontal color fields in shades of coral, golden yellow, and muted orange.
Mark Rothko
Untitled (Orange)
1957 · oil

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Abstract painting with two green rectangles separated by a blue horizontal band against a dark blue background.
Mark Rothko
Untitled
1957 · oil

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Abstract painting with a large red-orange rectangular form centered above a golden-yellow rectangular form on a warm beige background.
Mark Rothko
1980.12.23, 1980.12.23
1954 · Oil on canvas

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Abstract painting with three horizontal rectangular color fields in orange, dark red, and bright red on a beige background.
Mark Rothko
Untitled
1968 · acrylic on paper mounted on hardboard panel

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Abstract landscape with symmetrical dark forested hills and light sky divided by central valley in blues and grays.
Felrath Hines
Japanese Landscape
1965 · Oil on linen

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Abstract composition with horizontal curved bands in beige, gray, and blue tones.
Felrath Hines
Beyond
1972 · Oil on Linen

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Abstract composition with golden-yellow field bordered by dark blue and gray curved shapes at the edges.
Augustus Vincent Tack
Evening
1934 · Oil on canvas mounted on hardboard

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Abstract landscape with layered silhouettes in cream, gray, orange, and dark tones suggesting dawn light over terrain.
Augustus Vincent Tack
DayBreak
1934 · Oil on canvas mounted on hardboard

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Abstract landscape depicting desert terrain in yellows, browns, and dark blues with irregular landforms against a muted background.
Augustus Vincent Tack
Night, Amargosa Desert
1935 · Oil on canvas on plywood panel

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A snow-covered landscape with dark rocky outcrops beneath a pale sky rendered in muted earth tones and whites.
Augustus Vincent Tack
Windswept (Snow Picture, Leyden)
1900 · oil

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Abstract composition of overlapping rectangular forms in cream, white, black, ochre, and muted earth tones arranged across the canvas.
No. 9
1952 · oil

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Abstract composition featuring layered geometric shapes and fragments in red, yellow, blue, black, and white on a light background.
Composition (Composizione)
1955 · oil and tempera on canvas

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Abstract painting with two dark red rectangles separated by an orange horizontal band, set against an orange background.
Mark Rothko
Untitled
1969 · Acrylic and ink on wove paper

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Two rectangular color fields, teal-green above and dark brown below, separated by a thin line, against a bright blue border.
Mark Rothko
Untitled
1969 · Acrylic and ink on paper

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Abstract painting consisting of two horizontal color fields: red in the upper portion and orange in the lower portion, separated by a thin yellow line.
Mark Rothko
Untitled
1969 · Acrylic and ink on wove paper

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Abstract black ink drawing on cream paper featuring organic curved forms, gestural lines, and scattered dark marks throughout the composition.
Mark Rothko
Untitled [recto]
1944 · Brush and black ink on wove paper

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Abstract drawing featuring biomorphic forms in black ink, red, and blue accents on a cream-colored paper.
Mark Rothko
Untitled
1944 · Watercolor with pen and black ink over graphite

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Concentric circles in blue, green, purple, and gray surround a central yellow form outlined in dark blue against a white band.
Arthur Dove
Sunrise III
Wax emulsion and oil on canvas, partly coated in gesso

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Abstract composition with curved, overlapping forms in gold, tan, grey, and black tones suggesting natural movement.
Arthur G. Dove
Golden Storm
1925 · Oil and metallic paint on plywood panel

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Abstract composition featuring geometric shapes in yellow, green, black, brown, and blue arranged against a green and yellow background.
Arthur Dove
Untitled (#4 in a Portfolio of 24 sketches)
1942 · mixed media

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Abstract composition featuring organic shapes in yellow, green, black, and rust tones with curved forms suggesting natural elements.
Arthur Dove
Untitled (# 15 in a Portfolio of 24 sketches)
1942 · mixed media

From $49.00